Staying Put

Our new herd sire

The bluegill were popping the surface of the pond, loudly glopping up insects knocked off the tall grass at water’s edge by the rain. Becky, our English shepherd, was nudging a box turtle crossing in front of the log where I sat. I called her off, and she settled into the wet grass to wait me out.

After a long week away from the farm, I was exercising my favorite spiritual practice, staying put. I had just come off spending time in one of my least favorite cities, Seattle. Apart from a dramatic setting, good beer, and good food, it is much like most cities in this country: too many people, too much concrete, too many drivers — too much of everything — and too little civility. But, lest you think I’m picking on Seattle, let me confess that I just don’t like cities. Give me the chance of spending time in New York or London and I’d turn it down for the same time in a small rural city or town.

I appreciate and understand appropriate scale. I spent a night on this trip in McMinnville, Oregon, visiting with my niece. A small city of 20,000, McMinnville is relatively compact and accessible, surrounded by rich agricultural land. The vineyards, nurseries, and orchards that surround it keep the land prices high enough to fend off the encroaching growth of Portland … for now.

My niece and her husband are both employed in the wine business. They are definitely my kind of folks. They are hands on about all aspects of their lives, from the crawfish aquaponics to the raised garden beds, from the handmade staircase banister made from recycled oak staves to the sweat equity invested in renovating their modest home. They get the importance of community, family, food, and work. And after a few peripatetic years, they are now staying put.

Staying put fosters both conservation and conversation with place. It spares resources and allows us to become invested in protecting and being a part of the land, the community, and the people.

Moving about, on the other hand, translates into waste and disconnection. It’s a form of consumer capitalism that encourages a callous disregard for our planet’s resources and cohabitants. It removes the connections of kith and kin from our experience. It’s turns us all into emigrants and immigrants of the world, both spiritual and physical nomads from heart and hearth.

As someone who travels frequently for a job, I know the occasional enjoyments of travel. But I’m also all too aware of the impacts and demands I place on the earth in doing so. Like footprints on a fragile landscape, each trip we take, whether across the country or to the corner store, leaves an indelible mark.

Remaining in place certainly doesn’t solve all problems. But, as I got up from the log, I resolved to be more like the bluegill, the soil, and the fruit trees on our farm, staying put as if I didn’t have a choice.

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(This piece was first published in 2016 with the title Becoming Bluegill. If I may say, since I wrote it, I still like it, touching as it does on some recurring themes in this blog. It was however, one of my least read pieces and resulted in zero comments. But I’ll take the risk and put it out again. Enjoy.)

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Reading this weekend: still slogging through the blood and guts (and there is a lot to wade through) of The Iliad (Homer). Also, just finished, Giving Up the Gun: Japan’s reversion to the sword, 1543-1879 (N. Perrin).

An Ode to Farm Trucks

The boys are always ready to ride

I crest the ridge and open the door to the truck and get out to close the gate. I stand there for a minute taking a leak as I watch the clouds building in the west. My shirt is wet through with sweat and sticks to me, now suddenly cool on this sweltering afternoon. The hayfield around me neatly cut, the farmyard below in order, I’m put in just the right frame of mind as I get back in, shut the door, and restart the engine. I have a big grin on my face as the truck bumps across the field in time to Marty Stuart’s “Hillbilly Rock” blasting out the speakers. Damn the soaring global temps and depleting fossil fuels, I do love a farm truck.

Out of the pasture, past the farmhouse, I just keep going. The tank full of gas, a couple of chainsaws rattling around in the bed alongside some salt blocks and a square bale of hay, I stop long enough at the gate to call Max and Buster. They jump in the truck cab and we turn out onto the road.

We tool past the old Cook’s Mill right as Marty launches into “Now That’s Country.” I’m not going anywhere; it’s just me and two dogs enjoying a hot summer day. We hook a left onto Johnson Valley and poke along, taking in the sights. The windows are down and Max sticks his massive head out far enough I’m afraid a stray branch might lop it off. Buster sits between us, like a kid with his parents, staring straight ahead. Both are drooling with the excitement. Apparently we all agree: the destination isn’t important. And anyway, in the long lonely years since Galyon’s community store closed, there isn’t anywhere close by to stop, even if for no more than an ice cream sandwich.

A farm truck shouldn’t be a pretty truck, tricked out with bells and whistles and buffed to perfection. Frankly, it helps if it is dirty and a bit beat up, particularly if it is going to inspire the pure bliss of a summer afternoon’s aimless ramble. It also doesn’t necessarily have to be old to have character. Like Indiana Jones says, “It ain’t the years, it’s the mileage.” My farm truck smells of sweat and ground-in dirt and pig and sheep manure, and the ripped cloth seats are covered in dog hair — a mirror of sorts to the farmer and, as such, an ideal mode of transport for which no shower is required before entry. Almost as important, it has to have a half-dozen CDs crammed into the console, with a music selection curated for the backroads, mainly country, bluegrass, and Southern rock. Because, let’s be honest, somehow Miles Davis just doesn’t cut it for a hands-keeping-rhythm-on-the-steering-wheel good time.

We turn onto Raby Town, and Marty and Randy Travis begin a duet of “This One’s Gonna Hurt You (For a Long, Long Time).” The dogs get into the act as I sing along with the boys, and start vocalizing their own rendition of the song. We rumble past the Cedar Fork cemetery, extending a tip of the hat to Mr. Kyle before making the few turns that put us onto Lynn Road.

Man, the three of us are over the moon, and I’ve picked up speed and I’m driving faster than is reasonable on the one-lane road. Marty sings us back out to Stockton Valley with “Western Girls.” Max has given up drooling out the passenger window and has pushed little Buster out of the way. All 90 pounds of him has climbed into my lap. I’m laughing like a maniac as he tries to lick my face, and I’m trying not to run off the road. Another five minutes and we pull back onto the gravel drive and head up to the barn, where the dogs dive out the open door and I head inside for a much-needed shower.

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Reading this weekend: Homer (the one with pretty boy Paris).